Esclimética [Asclimethics] explores themes like palliative care, memory loss, faith vs science, AIDS and its connection to the pharmaceutical industry and addiction.
Esclimética [Asclimethics] is a neologism invented by the artist and medical doctor Rafael Díaz(Santa Ana, El Salvador, 1972), who used other languages to combine interrelated terms and names such as Asclepius, clinic, medical and ethics. His work explores themes like palliative care, memory loss, faith vs science, AIDS and its connection to the pharmaceutical industry, and addiction. In Plus II, he reflects on the question of dignity in the transition and change of state that takes place between life and death. The work Once upon a time... shows a method that detects cognitive deterioration in patients and makes us share the emotions of his experience as a physician, caring for his most vulnerable patients as they struggle to live without memories. Lux speaks of the power of human thought as a generator of light, using a set of brain scans to form a medieval rose window. The Antirretrovirales [Antiretroviral Drugs] work offers a reflection on the limited availability of medical treatment and the devastating consequences for those who are denied access. The Pantone codes on drug packaging are used to illustrate the existing ethical dilemma, following a colour-based distribution scheme that ranges from cheapest to most expensive.
Finally, the Dual diptych illustrates a pathology in which the line between drug-induced mental illnesses and pre-existing conditions is blurred, leaving patients in a labyrinth with no way out.
Rafael Díaz has developed a special awareness of the different channels of communication established between doctor and patient. In his approach, scientific knowledge and artistic practice interact to construct a hybrid visual language in which patients are also co-authors. Together they create visually striking scientific documents with information related to diagnoses and treatments, or draw a critical line of thought between illness, ethics and society, where human nature is revealed at its most vulnerable.
From 10 September to 31 October 2019Exhibitions El Muro: Alberto de Torres. Debajo del Sombrero
This year IDEM, the International Performing Arts Festival, welcomes the work of Alberto de Torres (Madrid, 1974) (…)
10 September 2019Talks Encounter with Nora Chipaumire + Q&A
Taking advantage of the artist’s participation in IDEM 2019, the International Performing Arts Festival, with her (…)
From 11 to 12 September 2019Performances "#PUNK” by Nora Chipaumire
#PUNK is an energetic contemporary dance performance that deals with the theme of identity and harnesses the rebellious (…)
From 13 to 14 September 2019Screenings "The Congo Tribunal" by Milo Rau
Milo Rau has created a portrait of one of history's biggest and bloodiest economic wars in this documentary, which (…)
From 13 to 15 September 2019Performances "As Far As My Fingertips Take Me” by Tania El Khoury
An encounter through a wall between an audience member and a refugee. Their arms touch without seeing each other (…)
14 September 2019Radio Show with Radio Nikosia, coordinated by Bárbara Bañuelos
Radio show about the IDEM Festival with Radio Nikosia, in collaboration with Bárbara Bañuelos, as an extension of the (…)
18 September 2019Screenings IDEM selection of award-winning shorts from FIVER and MiTS
The IDEM Festival has selected a series of shorts that won awards at different editions of the FIVER Festival and at (…)
From 19 to 20 September 2019Performances "Mi padre no era un famoso escritor ruso" by Bárbara Bañuelos
A reflection on mental health and the body (…)
21 September 2019Screenings “Vangelo” by Pippo Delbono
The idea of staging the Gospel takes shape through the lives of refugees, the undeniable protagonists of a new age.